-Na ovoj radionici upoznati ćemo se sa osnovama i pokazati sličnosti i razlike između polinezijskog i orijentalnog plesa.

Bellynesian stil nastao je kao ideja da se stvori posve nova fuzija dvaju vrlo ženstvenih plesova u kojoj se spajaju brz i impresivan tahićanski i senzualni orijentalni.

Osjetite sa SHIREEN plesnu magiju dva egzotična svijeta!

-When you try to connect two exotic dances there you create magic motions and emotions: BELLYNESIAN!

this workshop will introduce you to basics and will show the similarities and differences between the Polynesian and Oriental dance.

Bellynesian was created as an idea of entirely new fusion of two very feminine dances that connect fast and impressive Tahitian and sensual Oriental style.

With SHIREEN feel a dance magic of two exotic worlds 🙂

_____________________________________________________

Vlasnica sam plesne udruge Shireen ,voditeljica rekreativne orijentalne grupe Gulbahar, članica romske skupine Romani chaj i hrvatske show grupe Trio Fantastiko koja na festivalu Oriental love 2015. osvaja treće mjesto u kategoriji show grupa. Ove godine započinjem s projektom organizacije festivala Oriental Fusion Stars u Zagrebu.

Moj plesni put počeo je jako rano jer sam se kao dijete bavila ritmikom i plesala folklor 6 godina. Fasciniranost orijentalnim plesom vodio me je kroz škole Zuzana, Nefertiti i Ritam plesa i na tom putu upoznajem se sa mnogim stilovima poput polinezijskog, tahićanskog, romskog. Jedno vrijeme članica sam i voditeljica plesne skupine Nefertiti. Rekreativno plešem kod instruktora latino­američkih, standardnih i društvenih plesova Tihomira Ciglara.

Želja mi je pokazati koliko je pozitivan ples kojim se bavim, koliko je nebitno ostanete li samo na rekreaciji ili se njime bavite profesionalno..jer bitno je kako dočaravate taj dah Orijenta i sa koliko nesebičnosti i osjećaja dijelite svoju plesnu ljubav s publikom. Jer to je ono što se broji i što vas čini jedinstvenom.

I am the owner of a dance association Shireen, a head of oriental recreational group Gulbahar, the member of the Roma group Romani chaj and a member of Croatian show group Trio Fantastiko who won a third place at the Oriental Love festival in Belgrade 2015. This year I am organizing Oriental Fusion Stars festival in Zagreb.

I started to dance very early, so I danced folklore for over six years and also trained rhythmics. Fascination with oriental dance led me through schools Zuzana, Nefertiti and Rhythm of dance.

Along the way I learned many styles such as Polynesian , Tahitian , Roma dance. For a while I also was a member and leader of the dance group Nefertiti.

Also, I dance at school of Tihomir Ciglar, a teacher of Latin American dances, standard dances and social dances.

My wish is to show how positive this dance is, no matter if you stay only on recreation, or you do it as professional. It counts only if you evoke the breath of the Orient with much sense of selflessness, so you can share your love of dance with your audience. Because that’s what counts and what makes you unique.

Mahraganat je novi stil sa ulica Kaira. Specifican je jer je zapravo slobodan stil, nema ustaljene pokrete, nema konacnu formu. To je ples koji je nastao na svadbenim veseljima jer mahrgan u bukvalnom prevodu znaci svadba. Iako nema specificnu tehniku, iako je mix hip hopa, funnkie, reaggeton-a, orijentalnog plesa, ima izuzetno specificnu energiju koju nosi sa sobom. Iako je nastao na svadbama ovaj stil nosi veliki bunt u sebi. O pesmama, ritmu i samoj tehnici cucete vise na radionici. Aleksandra je ovaj stil ucila u Egiptu od lokalaca i donosi vam duh ulica Kaira.

Mahraganat is a new style from the streets of Cairo. It is specific because it is actually a free style with no established movements and no final form. This dance originated at weddings because mahrgan literally means wedding. Although there is no specific technique and is a mixture of hip hop, funnkie, reaggeton and oriental dance it has a very specific energy. Also, although it developed at weddings this style carries a large rebellion in itself. More about the songs, the rhythm and technique you will hear at the workshop. Aleksandra learned this style in Egypt by the locals and will bring you the spirit of Cairo streets.
_____________________________________________________

Amani je mlada škola, ali je njena osnivačica i instruktorica Aleksandra Kondić, umjetničkog imena Amani Oriental, već godinama poznata publici širom regije. U njenoj plesnom opusu se nalaze brojni plesni stilovi i rekviziti koji su rijetko viđeni na scenama širom Srbije, a a svoje znanje, iskustva i savjete plesačima velikodušno nudi na svojoj facebook stranici: Skola orijentalnog plesa i Arapskog folklora Amani.
Također, njen pionirski poduhvat proučavanja manje poznatih stilova Istoka je svojevremeno izgradio njen stil plesa. Aleksandra pokušava održati tradicionalniji stil kako klasičnog orijentalnog plesa, tako i folklornih stilova. Manje poznati stilovi koje za sada jedino Aleksandra izvodi u Srbiji su, ples sa shamadanom (svijećnjak sa vatrom), turkish roman havasi, Iranian bandari, afganistanski logari, klasični perzijski, poi voi velovi i mnogi drugi. Pored svjetski poznatih instruktora, Aleksandra najviše uživa učiti u Egiptu od lokalnog stanovništva koji nemaju veze sa plesnim svijetom, jer tako može prenijeti duh Egipta na scenu. Poznati instruktori s kojima je radila su Leila Molaei (Ir/UK), Simona Jović (Srb/Fra), Katherina Shereen (Cz), Mateja Mikulan (Slo), Jamila (Pl), Aziza (Ca) i mnogi drugi.

Amani is young school but its teacher Aleksandra Kondić aka Amani Oriental is well known to the audience around the region. She is dancing styles and props that are rarely seen on stage in Serbia and her knowledge and dance experience she is gladly sharing on her facebook page. Skola orijentalnog plesa Amani Her groundbreaking of studing less know n dance styles has built up her dance style. Aleksandra is trying to hold on traditional styles of classical oriental dance as on folk dance styles. Less know styles that she is dancing in Serbia are dance with shamadan ( candelabra with fire) turkish roman havasi, Afghani Logari, Persian dances, Iranian Bandari, poi voi veils and much more. Beside well know and famous dancers she love to study with natives who don’t have any touch with proffesional dance, but have heart and real energy of Egypt which she can bring on the stage. Well known dancer she study with are Leila Molaei (Ir/UK), Simona Jović (Srb/Fra), Katherina Shereen (Cz), Mateja Mikulan (Slo), Jamila (Pl), Aziza (Ca) and many more.

Radionica: “REBIRTH”-Ples na podu:

Na radionici ‘Rebirth’, kao što kaže samo ime, proći ćemo kroz ‘ponovno rođenje’ pokreta. Svi pokreti bit će izvedeni na podu za što će biti potrebno steći kontrolu nad svojim tijelom i snagu, osobito što se tiče fleksibilnosti i područja leđa.

No ples na podu nije samo za one koji su izrazito fleksibilni, nego i za sve koji žele probuditi senzualnost u svojim pokretima. U ovoj ekscentričnoj vrsti trbušnog plesa sudjeluje čitavo tijelo, a svaki pomak i poza su od izričite važnosti. Osobit naglasak je na sporim, kontroliranim pokretima trbuha i mekim, ali naglašenim akcentima bokova.

JESTE LI ZNALI?

Orijentalni ples na podu u Egiptu je zakonom zabranjen i prognan čak dva puta, ali bez obzira na to, on je pronašao svoj put kroz starije egipatske tradicionalne plesove, kao i plesove stare Turske Sjeverne Afrike i Roma. U velikom ‘boom-u’ Orijentalnog plesa u Americi, ples na podu postao je zaštitnim znakom Vintage Belly Dance industrije, često kombiniran sa elementima burleske i modernim fuzijima.

Ples na podu pokazuje fleksibilnost, kontrolu i snagu plesačice. Često se pleše sa rekvizitima kao što su mačevi i pladnjevi, koji kroz balansiranje stavljaju naglasak na pokrete koji kroz mirnoću i odmjerenost pokazuju senzualnost i žestinu koju donosi ovaj ples.

Dorotea Kovačićek rođena je 1.7.1992. u Zagrebu. Ples je zavoljela u školi Orijentalnog plesa ‘Plesni studio Nefertiti’ koji njeguje različite stilove i fuzije. Kao ‘Nefertitica’ pleše već 5 godina i vodi grupe srednjeg i početnog nivoa. Osobito joj se sviđaju stilovi u kojima do izražaja dolaze suprotnosti: ženstvenost s jedne strane i snaga s druge.
_____________________________________________________

Floorwork:

Description: In Egpyt, floorwork as a part of Oriental dance was banned and officially outlawed twice, before it found it’s way up through old traditional egyptian dances and also dances of Old Turkey, North-African tribes and Romani dances. In a big boom of Oriental dance in America, floorwork was a symbol of Vintage Belly Dance industry, combined with elements of burlesque and modern fusions.

Floorwork shows dancer’s flexibility, control of the movements and strenght. It is often performed with props such as swords or candelabrum, because, when balanced, they emphasize slowness and restraint of movements, and that shows us both sensuality and the force of this dance.

At the workshop ‘Rebirth’, as the name suggests, we will pass through the ‘rebirth’ of the movements. All dance movements will be carried out on the ground, for what will be necessary to gain control over your body and strength, particularly in terms of flexibility and our body’s back area.

But the floorwork isn’t only for those who are extremely flexible, floorwork is for those who want to wake up that special sensuality in movements. In this eccentric type of belly dance the whole body is involved, and each shift and pose are of explicit importance. Special emphasis is on slow and controlled movements of the abdomen and soft but pronounced accents of the hips .

Accept the challenge and come with me on a journey in time and place. There, where dance was born. From the earth to the sky!

Dorotea Kovačićek, I was born 1.7.1992 . in Zagreb, Croatia. I learned how to dance and how to love dance itselft through the school of Oriental dance “Plesni Studio Nefertiti’ which nurtures a variety of styles and fusions. I’ve been dancing as a part of Nefertiti troup for 5 years and I currently teach groups of middle and young professional level. What I especially I are Oriental styles that come to the fore contrary: femininity on the one hand and stregnth on the other .